Nataliia Korotkova (IIA KO) is an interdisciplinary artist and researcher based in Oslo, from St. Petersburg. She graduated from The Oslo National Academy of the Arts and St. Petersburg Stieglitz State Academy of Art and Design, and currently studying at the Tokyo University of the Arts.
One of the most important aspects of her artistic practice is an exploration of the environment. For her research she is turning to the ethnography of the place through the archaism of the locality, texts, and the memory of generations.
Immersion in folklore and anthropology of movement allow her to find spaces for rethinking artistic performative methods in the context of collective / communal memory of the place. She is interested in working with living archives, where in the process of study unexpected paths are formed, both in terms of art forms in themselves, and in terms of observing how archives shape specific narratives, deriving them from the usual chronology of time.
She is manifesting her research projects through experimental para-archives, audio-visual narrations, and performances, accompanied by artistic books, graphics, and diverse forms of essays.
My artistic practice is dedicated to the study of the anthropology of the place. Through contact with different forms of folklore, I explore the flaws of intertemporal information, collective memory and its' transmission. In my works, I try to reflect collective performative knowledge, the ways of transmission beyond the boundaries of the physical body and place. Such performative knowledge erases the boundaries of locality, transforming this locality into new mobility.
For me, one of the defining characteristics of a person's movement is the way they perceive the space around him / her. It seems that the ability of a person to choose his / her own habitat, to control or even change this environment, creates a special property of mobility. This mobility creates a special memory of a place: a memory without clear physical boundaries. We are surrounded by many movements, determined by many factors and elements. Determining the nature of movement is extremely difficult, since each movement creates its own vector and, thus, it's own story. In my practice, I research these movements. Through an ecological approach, I observe the diversity of the places' nature, and the circulation of movements in them. I observe what kind of movement this or that place possesses, I investigate to what extent the place possesses the memory of generations. Exploring the archival data of this or that local reality, through artistic experiments, I seek the unique nature of collective knowledge. For me this knowledge is a kind of spatial form: an ecosystem, where the narrative of its inhabitants goes beyond its own historical context. Where contextual displacement forms a special field for one's own artistic experiment, ultimately creating a single living archive.